Is Thomas Hardy Obsessed with the Past? Essay

Many of Thomas robusts poems be revolve about on the feelings summoned up when reminiscing about the early(prenominal). On the surface, it seems as though unafraid(p) is obsessed with the ancient as many poems are laced with memories which tender up feelings of nostalgia. It is important to consider, however, that this doesnt necessarily mean that he is aro using up with bygones. It may likewise be the case that hardys numbers is a means for him to comprehend and come to terms with the shew. robust tries to reform the aside in his poem, nether the falls. Fundamentally, the narrator thought to be Emma experiences a Proustian moment as she plunges her arm into a watershed of water. This stimulation brings on an avalanche of memories, which are fetched back from its thickening enfold of gray symbolizing stouthearted trying to rescue memories from the shroud of succession. Emma feels anew the romantic feelings she felt on the day she dropped a drinking rubbish into t he water, when she and her lover where having a picnic by a waterfall. robust utilizes a metaphor effectively, by referring to the day as be fugitive, which suggests that it is pass(a) and sack be lost any moment. This particular memory of the past is a seemingly pleasant one as is suggested by the use of sibilance (ll 13-16).The repetition of the soft hissing sounds in scoop of the self-same block, ceases and peaces suggests a dreamy and idealistic setting. Hardy refers to the drinking-glass as being opalized once much indicating to how unyielding it has been since this even besidesk place. He exceeds this drinking-glass almost religious significance by sanctifying it and calling it a chalice. The chalice symbolized unity between Hardy and Emma, which still lies under the waterfall and its presence adds to the rhyme of love persistently sung by the fall above. Hardy uses rhyming couplets which give the poem a childish and youthful feel. This rhyming alludes to his youth be ing the prime or best time of his life, and by summoning the past he can bring back the feelings of youth.Revival of the past is a recurring theme in many of Hardys poems. also to Under the waterfall, At Castle Boterel also involves Hardy remembering a specific incident that took place between him and Emma. Emma is now dead, and in Hardys recollection her phantom compute the Great Compromiser on the hillside. The poem is a powerful effort in cognizance to defeat the processes of time by reclaiming the past, as is shown in Under the Waterfall also. On the other hand, the ii settings have a stark contrast. Hardy drives to the junction of a line and highway with drizzle bedrenching this suggests the somber and miserable quality of the present. He looks behind at the byway, which is fading.This suggests increasing outstrip and decreasing significance of present reality as he delves into his past with Emma. there is use of enjambment in the between the first two stanzas, provi ding a instinct of transition between Hardys present and past, and also his two states of mind. He speaks of how they walked along the road and creates a hard atmosphere in dry March weather. It is evident that the clever moments of the poem reflect Hardys love and what it used to be in the past. The last stanza consists of sharp words, completely unlike the melodious ones in Under the Waterfall. My sand is sinking, is a euphemism of Hardys approaching death. The sand conjures up the imagery of an hour-glass, once again referring to time transit relentlessly.In many of his poems, Hardy finds solace in the eternity of many landscapes and tales. This suggests that Hardy has an inclination towards the past, because of the invariable constancy that it provides, regardless of passing time. For example, in the fifth stanza of At Castle Boterel, Hardy refers to the Primaeval rocks in differentiate to emphasise the great age and permanence of the hill by reflecting of how much transit ion they must have observed. Hardy asks if ever thither was a time of such quality in that hills story and states that he believes on that point never were. This is, in a sense a defiance of time, as even time cannot alter the assess of that one moment. The defiance of time is continued in the sixth stanza, as Hardys memory allows him to see one phantom figure Emma even though times unflinching rigour has killed the real(a) person.The idea of memory being eternal is once again represent in the poem I Found Her bug out There. Hardy remembers Emma in Cornwall, and how she would sigh at the tale of sunk Lyonnesse, her hair whacking against her face in the wind while she would listen to the murmuring miles. Hardy uses a technical aspect synaesthesia in order to go two senses this has a very powerful effect on the audience, great(p) the scene a sense of agelessness. The Arthurian tales also offer a link As the myths of Lyonnesse belong to a fabled past, so too does the love st ory of Emma and Thomas Hardy.Additionally, this theme also echoes in Under the Waterfall, as Hardy refers to the purl of a runlet that never ceases be it in wars, in peaces. Onomatopoeic diction in these lines is sounds like a flowing waterfall and represents the fact that it remains unchanged for a long period, unaffected by time.Hardy often uses the past objectively, in order to comfort him and assist him in dealing with his grief. I Found Her Out There is a poem in which Hardy begins to dissociate himself from the torture and guilt that consumed him after Emmas death. This dissociation can be seen as he refers to Emmas shade as it instead of her. He is first gear to come to acceptance of her death, as is shown by the controlled form of the poem. There are five uniform octaves, all following the rhyme scheme of ABBACDCD.Hardy ends the first stanza with the line, The solid land. This brings everything to a sudden, thumping halt and there is no mellifluous poetic beauty, as one wo uld find in the poem, Under the Waterfall. Hardy is also conscious enough to effectively use contrasts of time in I Found Her Out There. He describes Emma in her youth, with the setting sun illuminating her face fire-red against Emma as a corpse, never to be stirred in her loamy electric cell. This poem is less of a lament over the lost past, and to a greater extent about capturing the essence of Emma.This is not always the case, however. In Under the Waterfall, Hardy finds it difficult to emotionally detach himself from the memory of the past. This is reflected in the structure, which can be jarring. The length of lines is not uniform, and this may suggest that Hardys mind wasnt in a neutral state. He also asks many questions, such as And why does plunging your arm in a bowl full of spring water, bring throbs to your soul? This portrays his internal turmoil.In conclusion, I believe that although Hardy had an inclination with the past, one cannot so utmost as to say that he was obs essed with it.